Here’s the latest video I wrote with Zack Phillips for The Brig.

Written by me and Zack Phillips
Directed by Nathan Russell
Shot by Nathan Russell and me
Edited by Andy Bond
Graphics by me
Produced by Moujan Zolfaghari
Starring Birch Harms, Abra Tabak, Timothy Dunn, Mamrie Hart, Josh Patten, Sean Hart, and Michael Hartney
Featuring Moujan Zolfaghari and Nathan Russell

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First Base – Old Story

Written by Zack Phillips
Directed by me
Edited by Nathan Russell
Shot by Nathan Russell, Andy Bond & Angel Yau
Produced by Moujan Zolfaghari
Starring Don Fanelli
Guest Starring Rob Cuthill

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Written and edited by Zack Phillips
Directed and effects by me
Starring Lee Dolson as Jed
Featuring Jonathan Fernandez (Cinema Studies), Rob Cuthill (Where’d My Pen Go), Roy Clary (Old School), and Rob Michael Hugel (13th Man)

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First Base – The Man I Was Traded For

Written by Zack Phillips
Directed by me
Edited by Kent Kincannon
Shot by Nathan Russell, Andy Bond & Angel Yau
Produced by Moujan Zolfaghari
Starring Don Fanelli
Guest Starring Josh Patten

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Written by Zack Phillips
Directed by me
Edited by Nathan Russell
Shot by Nathan Russell, Andy Bond & Angel Yau
Produced by Moujan Zolfaghari
Starring Don Fanelli
Guest Starring Johnathan Fernandez

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First Base – Clooney

Written by Zack Phillips
Directed & Shot by me
Edited by Nathan Russell
Shot by Andy Bond, Angel Yau and me
Produced by Moujan Zolfaghari
Starring Don Fanelli
Guest Starring Nathan Russell

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Oh yeah, and the coolest part is we got to shoot it in the Brooklyn Cyclone’s stadium.

Written by Zack Phillips
Directed by me
Shot & Edited by Nathan Russell
Shot by Andy Bond & Angel Yau
Produced by Moujan Zolfaghari
Starring Don Fanelli
Guest Starring Phil Jackson

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Written by Jon Gutierrez
Directed by me
Shot by Nathan Russell
Edited by Kent Kincannon
Produced by Moujan Zolfaghari
Staring Patrick Clair

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Here’s what I pitched them:

Dear DC Comics,

I think it’s time to give Superman a new costume. In today’s fast paced world, the name of the game is REALISM, but for almost 80 years Superman has been flying around fighting crime in spandex. Spandex! If Superman belonged to the Justice League of Olympic Figure Skaters maybe spandex would make sense, but he fights for justice, not triple sow cows. Superman deserves an outfit as realistic as the premise that an alien from another planet would look exactly like a human and be able to fly and shoot laser beams from his eyeballs.

To start with, get rid of his unrealistic skin tight spandex and replace it with a realistic skin tight t-shirt. I realize this is a huge change, so you should still put a big S on his chest so that everyone knows he’s Superman. Let’s be sure to give him jeans so tight they don’t need belt loops, and put patches on the knees to show that he can mend clothing (I’m always looking for ways to make costumes reflect personality traits).

Now let’s talk shoes. To be honest I never understood Superman’s footwear. They always looked like part of his leggings, as if he was wearing adult pajamas with booties. Not very realistic. Normally I’d say he should just wear boots, but boots are ridged and Superman needs a lot of lateral ankle flexibility. Lets split the difference and give him high-top, light weight moccasins. If you’re not clear on what that would look like I’m including an image of an an over-stuffed sausage that I photoshopped shoelaces onto.

As for Superman’s build, I’ve always felt he should be more muscular. Specifically in his arms. I’d go so far as to say that you should just invent extra muscles that don’t exist in humans (he IS an alien after all) and put them all in his forearms. Let’s also make his left arm triceps way more developed than his right. I’m not exactly sure why, but it’s good to set up stuff like that early so that when you do finally explain why, there’s a bigger pay off. Maybe it’s that Superman is actually a lefty, but he taught himself to use his right hand so that no one would suspect right-handed Clark Kent was actually left-handed Superman (believe it or not, I actually JUST came up with that).

And now my final change. It’s a pretty big one, so maybe you should take a deep breath. Did you take one? No? Okay, well don’t say I didn’t warn you. Two words:

Tiny. Cape.

It’s the perfect compromise. Superman’s cape is iconic, but in the real world he’d always be getting tangled up in it, and it would double his laundry load, which would really add up if he used a laundry service that charged by the pound (as any busy city-dwelling Metropolanite would). A tiny cape solves those problems while still giving Superman a striking silhouette as it billows in the wind behind him. Unfortunately because Superman is so big and the cape is so small, in order to keep the cape visible from all angles you’ll have to attach it under his left armpit. I realize a tiny armpit cape is a little unorthodox, but it’s a small price to pay to preserve both his cape and a realistic costume.

Well that’s about it I think you’ll find these changes will be very successful in gaining some short term attention from the mainstream media before you inevitably return to his old costume, only to change it again in another few years to get some more press. You know, you haven’t killed Superman in almost 20 years. Just saying…

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Fun Fact: The father and son picture is actually me as a kid with my dad.

Written by Zack Phillips
Directed & Shot by me
Edited by Andy Bond
Produced by Moujan Zolfaghari
Featuring: Eddie Dunn, Dave Bluvband, Molly Lloyd

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